We seem to spend a lot of our time in very small spaces spouting a lot of dialogue very quickly.

I mean, you know, while I'm acting on stage I'm ranking quite high, but in a room with Barack Obama I'm probably into negative digits. I never feel very famous.

We seem to spend a lot of our time in very small spaces spouting a lot of dialogue very quickly.

Moths are the ones that freak me out. It's something to do with the way that, if they get squashed, they turn to dust. There's something very wrong about that. It all feels a bit Gothic.

An accent has to do with the way your mouth works and the sounds that come out of your head, but somehow it informs everything about you.

I think it would be self-indulgent to go, "Oh, I'm going to make this character different by giving him a quirk of some kind." I don't think that serves the story, particularly. But even very similar scenes with a different set of actors, a different set of circumstances, it starts to evolve as a different character.

Twitter! It's like being stalked by committee!