I persist in performing.

Performing is very much like cooking: putting it all together, raising the temperature.

If you put yourself in a situation of unpredictability and then find that it's completely possible to accept it, then you become an observer.

Take the classic experiment of using ordinary feedback: just take the output of something and feed it back into the input. Those of us who do that have had really rich experiences. And it is obvious that that line of experimentation can continue.

I am perfectly willing for my music to exist with somebody else's taste.

Most electronic equipment uses the principle of amplification. You need filters, modulators and mixing equipment which have gain stages. By piling these components up, I was able to work without any sound generators and I made several pieces in that manner.

I've never been able to arouse any interest in myself for digitally produced sound, and so the computer turns me off.