I was 11 when a teacher suggested to my parents that they should send me to drama classes to curb my disruptive ways in the classroom. The next Saturday I was acting, and thereafter it became a ritual of my youth to see a show at the Belvoir on Sundays and, if I was lucky, another at the Opera House on Monday after school.

I'll never forget anything about Middle Earth. That's part of my memory now so I won't miss anything.

Acting, to me, is being given the freedom and ability to play, and that's - that's what I love most about it. I feel very comfortable in playing, whether it be in front of a camera or on stage.

Id love to work with the people who really got the film industry going again through the 70s: Peter Weir, Bruce Beresford, Gillian Armstrong, Fred Schepisi.

In all honesty, if somebody asked me the secret of auditioning for Americans, I don't know. Often, I do what's called self-taping for America. I go over there quite a lot to sit in a room and do stuff in front of people. You feel like a performing monkey. It's bizarre.

I would love to direct a feature and have Robert Connolly produce it. That would be really fab.

I've ended up spending more time in front of a camera than on stage, but the stage is where I come from.