What we see as risk and foolhardiness on the outside, can seem more like constant cohesive drive on the inside that holds to priorities that cannot be discerned by others, because they reside in far too private a chamber of personal experience to be shared easily. To dare everything is not necessarily trouble, but often the opposite. To have faith in a foundation you have discovered in life and which, though it is difficult to describe even to yourself, you refuse to relinquish.

See, even if you're stuck in life, if you can describe just exactly the way you're stuck, then you will immediately recognise that you can't go on that way anymore. So, just saying precisely, writing precisely how you're stuck, or how you're alienated, opens up a door of freedom for you.

Poetry is the art of overhearing ourselves say things from which it is impossible to retreat.

It doesn't interest me if there is one God or many gods. I want to know if you belong or feel abandoned. If you know despair or can see it in others.

Heartbreak is our indication of sincerity: in a love relationship, in a work, in trying to learn a musical instrument, in the attempt to shape a better more generous self. Heartbreak is the beautifully helpless side of love and affection and is just as much an essence and emblem of care as the spiritual athlete's quick but abstract ability to let go... But heartbreak may be the very essence of being human, of being on the journey from here to there, and of coming to care deeply for what we find along the way.

Heartbreak is how we mature... There is almost no path a human being can follow that does not lead to heartbreak.

It is the province of poetry to be more realistic and present than the artificial narratives of an outer discourse, and not afraid of the truthful difficulty of the average human life.