The silver lining of Brexit and Trump is that it has undermined the perception that globalization is an unstoppable force, whether or not we think it is a good thing or a bad thing. There have always been losers and as well as winners in this process, and cultural minorities have been among the most vulnerable losers. Now that sizable numbers of people in the most advanced economies have made their grievances felt in a fashion that is hard to ignore.

The situation has a real Lovecraft feel to it. Though, you know, if you come over it'll be more of an Anne Rice situation. If you know what I mean." "Who's-" "Because you're gay.

I once saw Arnold Schwarzenegger kill a man in a movie by grabbing his head and twisting it until the neck broke. Was that difficult? Could a man do it without a lot of practice?

And watch out for Molly. See if she does anything unusual. There’s something I don’t trust about the way she exploded and then came back from the dead like that.

We know that global capitalism, and the commercially driven culture that comes with it, can be a powerful solvent, but many of us who benefit from it economically can regret the effect it has on our own lives as well as on the lives of others, and we should not view ourselves as helpless in the face of an irresistible force, especially since we may very well be complicit. We should be prepared to help others or to leave them be to sustain their cultures if we judge that they are of intrinsic value or of value to their members.

We depend for so much on those we love that of course we want them to have desirable personal qualities and to believe that we do too. But if we pin our love for another, and theirs for us, based on personal qualities, it confers an unacceptable conditionality and substitutability on love: we don't want to be exchanged for a better model of whatever our lovers deem to be desirable, so there is a strong tendency to want: to be loved for no reason at all, simply be loved.

I do fear that global capitalism is making us more like each other in regrettable ways, e.g., more people are increasingly captivated by spectacles of violence and aggression or of conspicuous consumption that are the subjects of the most commercially viable films across countries precisely because they don't depend for their appeal on cultural fine points; and more people are prone to deal with others on a purely instrumental and impersonal basis.