Kittens will make your sad go away

I argue for a relational conception of the person as a basis for an environmental ethic that can encourage us to preserve the environment not solely on the basis of satisfying human interests and not solely because we might attribute intrinsic value to the environment, but because the environment is something with which we can potentially enter into constructive relationship, as part of what makes us who we are or transform who we are and open us up to new interests.

We depend for so much on those we love that of course we want them to have desirable personal qualities and to believe that we do too. But if we pin our love for another, and theirs for us, based on personal qualities, it confers an unacceptable conditionality and substitutability on love: we don't want to be exchanged for a better model of whatever our lovers deem to be desirable, so there is a strong tendency to want: to be loved for no reason at all, simply be loved.

The good of the family cannot be achieved without consideration of an individual's important interests. If those interests are urgent and weighty, they must become important interests of the family and can sometimes have priority in case of conflict. Sometimes, members must split their differences in compromise. Over time, yielding to others at some times must be balanced against getting priority for one's interests at other times.

I wanted to curl up into a fetal position and start sucking my thumb, let my tears and dripping saliva pool under me. Sorry. I tried living, tried being sentient. Can't do it. Can't live in the same universe with that.

I do fear that global capitalism is making us more like each other in regrettable ways, e.g., more people are increasingly captivated by spectacles of violence and aggression or of conspicuous consumption that are the subjects of the most commercially viable films across countries precisely because they don't depend for their appeal on cultural fine points; and more people are prone to deal with others on a purely instrumental and impersonal basis.

The situation has a real Lovecraft feel to it. Though, you know, if you come over it'll be more of an Anne Rice situation. If you know what I mean." "Who's-" "Because you're gay.