There's a lot more to playing in the big leagues in New York than just the baseball part.

When you don't win I think you have to evaluate everybody.

I don't care how much I'm talked about or hyped. It's still up to me to go out and perform.

I take great pride in going out there and playing through pain.

Whether you have a great game or a terrible game, tomorrow's another day and you've got to come out here and compete.

I’m always looking to improve. And every year I want to do better than the year before.

An excess of development can undermine the most ephemeral but distinctive tool a writer possesses: authorial voice. A writer's voice is as individual and marked as a thumbprint, and is a playwright's truest imprimatur. It is as innate as breathing, and can be as unique as any genetic code. By its very singular nature, it is seldom born in the act of collaboration. True authorial voice always pre-dates the first rehearsal of a text. And it is - and will always be - an author's most distinguishing and valuable feature.