The heart is an artist that paints over what profoundly disturbs it, leaving on the canvas a less dark, less sharp version of the truth.

She blinked, sat up, and saw Chris in the bathroom doorway. He'd just gotten out the shower. His hair was damp, and he was dressed only in his briefs. The sight of his thin, boyish body - all ribs and elbows and knees - pulled at her heart, for he looked so innocent and vulnerable. He was so small and fragile that she wondered how she could ever protect him, and renewed fear rose in her.

Readers will stay with an author, no matter what the variations in style and genre, as long as they get that sense of story, of character, of empathetic involvement.

It's only life. We all get through it. Not all of us complete the journey in the same condition. Along the way, some lose their legs or eyes in acidents or altercations, while others skate through the years with nothing worse to worry about than an occassional bad-hair day. I still possessed both legs and both eyes, and even my hair looked all right when I rose that Wednesday morning in late January. If I returned to bed sixteen hours later, having lost all my hair but nothing else, I would consider the day a triumph. Even minus a few teeth, I'd call it a triumph.

Thanks to the circus between my ears, I can seize upon the smallest disquieting observation and from it extrapolate a terror of cataclysmic proportions.

His blue eyes were seas where sorrow sailed.

If she possessed any memory whatsoever of the days when she'd been whole, her shattered recollections were scattered across the darkscape of her mind in fragments so minuscule that she could no more easily piece them together than she could gather from the beach all the tiny chips of broken seashells, worn to polished flakes by ages of relentless tides, and reassemble them into their original architectures.