If Edgar Allan Poe were alive today, his agent would be constantly slapping him upside the head with tightly rolled copies of his brilliant short stories and novelettes, yelling, 'Full-length novels, you moron! Pay attention! What's the matter with you -- are you shooting heroin or something? Write for the market! No more of this midlength 'Fall of the House of Usher' crap

I see dead people. But, then by God, I do something about it!

All these girls swooning over hunky vampires, what they really want is to give away their freedom, to be controlled and told what to do and not have to think -- and never die, of course. It's sick is what it is. I don't want to be a forever-young living corpse.

In this uncertain space between birth and death, especially here at the end of the world in Moonlight Bay, we need hope as surely as we need food and water, love and friendship. The trick, however, is to remember that hope is a perilous thing, that it's not a steel and concrete bridge across the void between this moment and a brighter future. Hope is no stronger than tremulous beads of dew strung on a filament of spider web, and it alone can't long support the terrible weight of an anguished mind and a tortured heart.

When we hope, we usually hope for the wrong thing.

I've always operated with a great deal of self-doubt. Every time I start a new book it's like, well, this one will destroy the career and I have to overcome that feeling especially in the first hundred pages of the book.

Fate isn’t one straight road…there are forks in it, many different routes to different ends. We have the free will to choose the path.