Another person is, at the heart of it, unknowable. And if you cannot know a person enough to always guess what they’re capable of, you certainly cannot know them enough to hold them in your hands, to control their behavior, to fight, manipulate, cajole or nurse or soothe them into doing what they should or shouldn’t. People will do what they will do. The trick is admitting your own helplessness about that little fact.

You could put your confusion and upset and worries into whatever book you were reading. You could sort of set them down in there, and you could come out with your head on a little straighter. I don't why stories worked that way, but they did.

What Dino spent most of his time doing was hiring and firing new managers. Since he ditched William Tiero three-plus years ago, he just want through these poor guys like you go through a bag of M&M's when you've got your period. Consume, and on the the next.

But, finally, I had to open my eyes. I had to stop keeping secrets. The truth, thankfully, is insistent. What I saw then made action necessary. I had to see people for who they were. I had to understand why I made the choices I did. Why I had given them my loyalty. I had to make changed. I had to stop allowing love to be dangerous. I had to learn how to protect myself. But first… I had to look

Fate is a shape-shifter. It is the kindest and most generous entity imaginable, laying out more goodness than a person deserves, and then it shrinks and curls and forms into something grotesque. You think something is one thing, but then it´s another.

People are secretive when they have secrets.

The romantic element is what the story Essential Maps for the Lost, sort of sits on, but all the stuff below the surface is really about family. It's about the baggage we bring, both the good and the hard stuff in that baggage. It's more about the other relationships. It's about mothers and fathers and sisters and dogs, all of the pieces. It's really more about - yes, love, in its widest usage.