The romantic element is what the story Essential Maps for the Lost, sort of sits on, but all the stuff below the surface is really about family. It's about the baggage we bring, both the good and the hard stuff in that baggage. It's more about the other relationships. It's about mothers and fathers and sisters and dogs, all of the pieces. It's really more about - yes, love, in its widest usage.

A person could leave you so quickly. So much history and time and memories, but they snuck away from you, and other things took their place. How could you hold on? Wait. A bigger question. The biggest. How could you hold on and let go?

I became a writer because I love books, and I believe in their power.

You could put your confusion and upset and worries into whatever book you were reading. You could sort of set them down in there, and you could come out with your head on a little straighter. I don't why stories worked that way, but they did.

Empathy took the edge off, and the truth is, we need our edge. Our edge is trying to speak to us, and we are too, too good at shutting it up.

This is what I know. Don't settle for 40, 50, or even 80 percent. A relationship-it shouldn't be too small or too tight or even a little scratchy. It shouldn't take up space in your closet out of guilty conscience or convenience or a moment of desire. Do you hear me? It shold be perfect for you. It should be lasting. Wait. wait for 100 percent.

Or so we don't think about how we're just vulnerable specks trying to survive on a violent, tumultuous planet, at the mercy of hurricanes and volcanoes and asteroids and terrorists and disease and a million other things. We concentrate on having little thoughts so we don't have BIG THOUGHTS. . . . You've got to ignore the one big truth - life is fatal.