Fame is fleeting, honey. Fame is fleeting and it changes.

There are some scenes that work beautifully in a moving, sweeping master, which is how I like to work.

The clothes back in those days were made so much better than clothes are today. They actually took time to make clothes to fit a woman's body. Today they make clothes that fit sizes, so it stretches to fit this and that.

As far as pacing the shoot is concerned, I know when I've got it. I don't think there's any reason to take ten takes unless you need them.

I think a good director casts a film so that the actors bring a lot to the table.

I use something that is a real staple in the directing world. It's called a dance floor. You lay it down so that it's so smooth you can roll around, and you can put furniture on top of it. It's seamless and you don't see it.

If you just change one person's life, you feel like you've done something. But if you can change a whole lot of them and get them looking at themselves differently, it's amazing.