Whatever one may say about the perils of workshops, they help writers internalize an awareness of audience.

I haven't written anything yet that makes me think, This is it! and I don't imagine I ever will. I don't know how it is with you, but when I finish something, even when I'm pleased with the results, it never quite matches the shimmering vision that was out ahead of me as I wrote.

Unless you're Stephen King or Joyce Carol Oates, no one's going to recognize you on the street, and you're promoting your book, not yourself.

You're unusual. That's better than popular if you have some courage.

I tell my students, if you're interested in marine biology or llama farming, follow that string. Yes, it will probably take you a longer time to write that book, but it's not a race. That's another great thing about being a writer: you don't age out.

When I left the theatre and turned to writing, one of the big pulls was that, unlike the theatre, I didn't have to wait to be hired before I could do my art. That was huge. But you still have to figure out how to support your habit; it's rare and lucky when art pays the bills.

Peculiar as I was, and remain, I was trained to be practical. I'm still amazed at the radical temerity of my friends, you included, Julie, who choose poetry as their vocation. I envy your faith.