I tell my students, if you're interested in marine biology or llama farming, follow that string. Yes, it will probably take you a longer time to write that book, but it's not a race. That's another great thing about being a writer: you don't age out.

Once I had started, I discovered the secret pleasure of writing a novel. It's such an immersive, deep commitment. With short stories, you're continually having to start again from scratch, but with a novel you only need one good idea every few years.

Before I got my present job, I spent many years teaching writing part-time, so-called, at community colleges and universities. It's academia's version of migrant labor.

As a writer, the ideal job is the one that allows you time and mental space away from it. Teaching seemed to me like the obvious choice - those summers off, you know - but my experience may serve as a cautionary tale.

I figured that to be a writer I would need to have been born in the nineteenth century, be British, or have three names. So I turned my sights elsewhere . . . to acting.

If you had told me twenty years ago that I would write a novel set in Russia, much less two, I simply wouldn't have believed you. I had no familiarity with Russia or its history, but part of what drives me as a reader, and more and more as a writer, is curiosity, the desire to explore unfamiliar terrain and inhabit alternate lives.

I always think, OK, this is good, but I'll do it better next time. "And so we beat on, boats against the current. . ." It may not be the recipe for a life of contentment, but that imperfectability is what makes writing such an engaging endeavor, something you can do for the rest of your life and not get bored.