There are sayings and mantras that sometimes occur in filmmaking discussions, and one of them is that sometimes filmmaking is an olive branch or a reason or an excuse to be able to reach out and create an encounter with someone.
Debra GranikI worry an awful lot about people and how they're faring. When I worry about people, whether their job is squashing their spirit, pushing them into a darker pathway of not feeling good about their life, that forces me to look for what's good. What's going well. That stokes a lot of positive feelings. Although I do worry, I look for the hope.
Debra GranikMy first decade of living in a metropolis was like, I was a people watcher. It meant the world to me to talk to strangers. I got excited about the fifth time I'd see the same person in the same bodega. I loved getting to know a certain clerk or barista. It took on a whole big meaning for me because of that atomization that suburban people do start to feel.
Debra GranikI grew up in a suburban situation and I was constantly looking for the central, the town. I grew up craving. "Where's the town? Where's the people?" You get into a very isolated shell.
Debra GranikThere are days when either filmmaking feels like an insurmountable practice - here's a lot of obstacles in the way to make it happen - or you think, "What does this all add up to?" You don't know what to do with the footage, and you've asked a lot of people for their time and a lot of people to be patient with you. And then you lose faith that you can actually make a worthwhile story out of this.
Debra GranikSometimes a rural life - without agricultural culture, community, or land - it means that you're a very long drive from everything. It's a big cultural isolation in terms of any kind of schooling where you could get exposed to things that might push the positive buttons. The geography of where people find themselves situated, both in metropolises and in the heartland, really starts to matter.
Debra Granik