And often when things turn to TV series there are so many different people with different agendas that things can morph. And so, you know, that was why having the executive producer title was important to me because even if I was the star and I had a concern, you know, that concern would only go so far. But having the title of executive producer actually makes them have to actually listen to me complain.

As scary as change can be and as much as I might resist it, there's always some unkown gift that comes out of it. I really never thought you could begin again. You can.

Oh it's fantastic because I get to whip people like David into shape and tell them to go get me coffee. Kidding - okay.

Do what makes you happy. And when it doesn't make you happy anymore, make a change -- without fear.

I think for me it's just a matter of staying keyed into my lifelong friends from New York and family. And, you know, I'm pretty solitary. I'm a homebody. So I don't get out much to get into trouble

You can see with the proliferation of magazines, you know, that just focus entirely on that. So it just - it seems like there (was) a lot of fodder and a lot of stories and fun things to poke fun at and highlight.

We just, you know, we're just sort of doing it like Bewitched, because we just think that the character of Kenny is so specific and so outrageous and so fun. And by far the hardest character to cast out of everybody to find someone who was capable of, you know, doing, you know, the comedy and just with the broadness and to be also just a really brilliant actor, you know, to do naturalism.