Well I would say that, you know, I agree in part with that it [The Starter Wife] is fantasy and it is a romp in that, you know, the comedy stems from shining a light on the sort of more extreme aspects of the Hollywood culture. So, you know, anytime you turn up the gas, so to speak, on the stove and make things more extreme it becomes funny. But I do think that, you know, the other half of the show is absolutely relatable and that's been an important goal of ours.

It's essentially encouraging parents, teachers, and caretakers to remind children how special they are on a regular basis.

It [going from mini-series to series] was never even discussed because it [The Starter Wife] was, you know, an adaptation of a novel. And we - the mini-series encompassed the whole novel. And so it was always going to be a finite sort of event. And then I imagine when people started to really respond to the show and then we got ten Emmy nominations, USA sort of said, "Oh, I think maybe we have something here."

You know, making fun of the excessiveness and the priorities that are most stilted out here which does make it difficult to have a very sort of grounded, normal life because there's really nothing normal about Hollywood.

Yes, women, and men, have to be open to love, because if we're not open then there's no way for us to find happiness. But you can be open to it and still have no control over when it's going to happen.

I think Hollywood has always, you know, there's always been glamour associated to it. And especially in the last ten years there has been a growing sort of obsession with celebrity life and celebrity culture.

It was hard to find somebody who could juggle both. And so we were really just focusing more on that. We figured, okay, if we're lucky enough to find somebody then, you know, the audience will get over it in one episode.