The advice I give is , "Don't think of your career as a plan or blueprint. Think of it as growing toward the most light. Keep your eyes open about where the best experiences are happening." Everyone wants to see how someone else managed, defying odds.

Yet one new trend I do like coming from mainstream publishers right now is memoirs tied to research that explores the narrator's dilemma.

I started writing nonfiction because nonfiction is well-suited to subjects that, if you wrote them as fiction, people would say, "I don't believe this. This is a little outlandish".

Historians will look back on this era and how the Internet changed what we value, what we consider art, the way we think, the way we define what it means to be human. In Sincerity and Authenticity, Lionel Trilling describes the changes that occurred between about 1850 and 1920, due to the Industrial Revolution and the resulting migration of people from small communities to relative anonymity in cities. Because of that paradigm shift, ideas about what it means to be an individual underwent a transformation that leeched into all areas. Art, psychology, history, marriage, gender.

The advice I give is , "Don't think of your career as a plan or blueprint. Think of it as growing toward the most light. Keep your eyes open about where the best experiences are happening." Everyone wants to see how someone else managed, defying odds.

Memoirs are going to be problematic sells for a while, though, because even if memoir means "based in memory," right now, in the collective mind, memoir means "recovery." When my agent and I started looking at small presses the possibility for my book, I realized most small presses were not publishing memoir, because they don't want to be associated with the genre that Mary Karr calls, half-facetiously, "literature's trashy cousin."

Grading creative writing is always an ethical dilemma. But what you brought up about grading personal stories versus the research paper is of course a truly volatile issue in teaching memoir or the personal essay, because there's no pretense that the narrator is a character.