I simply can't understand the stereotyping women as film makers who make soppy family dramas. Look at Katherine Bigelow: she has directed Point Break and Strange Days. I hate labels of any kind. Just because you are a woman you can't do this or that? Twenty years ago women entering the work force was enough of a shock. People just like the predictable; they feel safe with it. You know, it's such a bore

Oh my God! Why did I leave India? I fell in love with a white man. That's what it was. It was the most boring, predictable reason in the world. I met him in India, we fell in love, and we got married. And then, we got divorced. Sorry about that.

Even though ashrams... probably still exist in India, you don't find a child widow anymore.

I write mostly as a director. That's why my screenplays are very detailed. So I get into the images I see. I like that.

The most interesting part of IIFA is that I get to meet filmmakers from India. I just attended a symposium on Satyajit Ray with Rituparno Ghosh and others. It was just so satisfying

While we're working on the script, I never see any films. I make it a point because I don't want to get distracted. I don't want to be influenced, and before I know it, have somebody say, "My God, she plagiarized that line."

I simply can't understand the stereotyping women as film makers who make soppy family dramas. Look at Katherine Bigelow: she has directed Point Break and Strange Days. I hate labels of any kind. Just because you are a woman you can't do this or that? Twenty years ago women entering the work force was enough of a shock. People just like the predictable; they feel safe with it. You know, it's such a bore