The first kiss plummeted him down a hole and popped him out into a world he thought he could get along in—as if he’d been pulling hard the wrong way and was now turned around headed downstream.

Down the hall came the wife. She was glorious, burning. She didn't know yet that her husband was dead. We knew. That's what gave her such power over us. The doctor took her into a room with a desk at the end of the hall, and from under the closed door a slab of brilliance radiated as if, by some stupendous process, diamonds were being incinerated in there. What a pair of lungs! She shrieked as I imagined an eagle would shriek. It felt wonderful to be alive to hear it! I've gone looking for that feeling everywhere.

I knew every raindrop by its name.

What's funny about Jesus' Son is that I never even wrote that book, I just wrote it down. I would tell these stories and people would say, You should write these things down.

Through this feeling of helplessness suddenly burst a piercing nostalgia for the lost world of childhood. The way it came right up against the heart, that world, and against the face. No indoors or outdoors, only everything touching us, and the grown-ups lumbering past overhead like constellations.

There were many moments in the Vine like that one--where you might think today was yesterday, and yesterday was tomorrow, and so on. Because we all believed we were tragic, and we drank. We had that helpless, destined feeling. We would die with handcuffs on. We would be put a stop to, and it wouldn't be our fault. So we imagined. And yet we were always being found innocent for ridiculous reasons.

After the film it was raining, a light steady rain. Ruthless neon on the wet streets like busted candy.