And with each step my heart broke for the person I would never find, the person who'd love me. And then I would remember I had a wife at home who loved me, or later that my wife had left me and I was terrirfied, or again later that I had a beautiful alcoholic girlfriend who would make me happy forever. But every time I entered the place there were veiled faces promising everything and then clarifying quickly into the dull, the usual, looking up at me and making the same mistake.

We’d torn open our chests and shown our cowardly hearts, and you can never stay friends after something like that

And therefore I looked down into the great pity of a person’s life on this earth. I don’t mean that we all end up dead, that’s not the great pity. I mean that he couldn’t tell me what he was dreaming, and I couldn’t tell him what was real.

Think of being curled up and floating in a darkness. Even if you could think, even if you had an imagination, would you ever imagine its opposite, this miraculous world the Asian Taoists call the "Ten Thousand Things"? And if the darkness just got darker? And then you were dead? What would you care? How would you eve know the difference?

Through this feeling of helplessness suddenly burst a piercing nostalgia for the lost world of childhood. The way it came right up against the heart, that world, and against the face. No indoors or outdoors, only everything touching us, and the grown-ups lumbering past overhead like constellations.

I hate two kinds of sentences you hear in workshops, the ones beginning "I really like ..." and the ones beginning "My problem with this poem is ..."

What could be lonelier than trying to communicate?