For all the import and message of 'The Iliad,' it's ultimately a story that's meant to be heard, and the person hearing 'The Iliad' determines what it means.

If you see me in New York, you'll probably see me on my bicycle riding furiously between a city bus and a taxi cab, hitting one of them on the side and yelling at them.

I received a phone call; my agent got a phone call from Ryan Murphy saying he wanted to talk to me... And he basically outlined 'American Horror Story' for me and said that there's a character named Larry the Burn Guy, and I'd like you to play it.

I think all the characters in 'American Horror Story,' which is why I love it, are looking for some sense of meaning, and also it's their form of happiness.

We see images of people being beheaded on TV. That's not a thing that you see all the time. That's a different kind of scary. Unfortunately, some of the scary stuff is political, and that's a change from our past.

We live in a world where we're all on computers and tablets and phones, all the time, so something as odd as computer hacking or a virus is really scary because it gets to the heart of our security.

I guess I didn't even know the word 'genre' until I did 'True Blood.' That's how naive I was, and I didn't realize that there was a point of view about certain types of TV. And so I guess I found it disappointing that there is a segment of the critical community that looks at genre as something that is separate, less than.