The female perspective is what I relate to and I understand it. I find it fascinating. I like to see women in challenging situations and see how they deal with it or don't deal with it.

There were a few before me, there was a generation that started a little bit before me of women producers and Sherry Lansing, she was the first woman studio president, and she was really inspiring to me. I was inspired by other women in other fields, I was an adolescent in the 70s with the second wave feminism, and I got very inspired by that and felt like, you know what, there's no reason why I can't do this.

The female perspective is what I relate to and I understand it. I find it fascinating. I like to see women in challenging situations and see how they deal with it or don't deal with it.

There's so much good television now, and there's a lot of things on television that would have been a movie or maybe wouldn't have been made at all if it wasn't for cable and streaming. It's a really exciting part of the future and I really want to be a part of it.

I thought, I loved Batman, I loved Spider-Man, I love all these characters, but Catwoman is really different from any other one.

Everybody's been decrying the death of movie theaters for decades and, you know, people are still going to the movies in droves. It's gone down, but it hasn't gone down that much. I think the biggest change has been the emergence of cable and streaming on television. That has really had a dramatic effect, and I think it's a positive one. I think there's really good work going on there, and as movies stratify to being these gigantic tentpole movies, and small movies, I think it gives another outlet for character-driven material.

I think that some of the writing, directing, and the content is better than a lot of movies sometimes. Actors, well artists in general - actors, writers, directors - what we all care about the most is good work and being able to create something that is really resonant and meaningful.