The spoken word community was significant in making me want to write accessible and urgent poems. Bob Holman, in particular, was an impressive figure.

In almost every book I've written, there is a reference to a movie - legendary films, actors and actresses, and forgotten made-for-TV movies. The leaps poems make are not unlike the cuts in a film. The miniature and avant-garde prose poets have perhaps the most obvious ties to film, as a prose poem in its shape is not unlike a movie screen.

Jean Valentine and Jane Cooper were my professors at Sarah Lawrence College - and they were uncompromised in their art. They gave me models of how to live one's life as a poet.

While poetry was less professionalized than it is now, I still had this urge to win prizes and see my work in magazines, to get an "A," as though poetry could be graded. I wish I had been more patient and less frantic about getting published.

I also could see myself as a stand-up comedian, a fashion designer (for people of all sizes), a hairdresser, an earnest and eventually burnt-out politician, or the owner of a small bistro. But I fear that, without poetry, I would have simply been going through the motions.

I had no idea, when I was writing early on, that my poems would be published or read by anyone, never mind people I knew or would meet. I just wrote urgently - naïvely, I suppose, looking back.

I started wanting desperately to say something, to make a point, to be heard - and I still feel that way. Free verse served me best when I embarked on poetry.