Affliction is more apt to suffocate the imagination than to stimulate it.

There is no savor more sweet, more salt than to be glad to be what, woman, and who, myself, I am.

Rain-diamonds, this winter morning, embellish the tangle of unpruned pear-tree twigs; each solitaire, placed, it appears, with considered judgement, bears the light beneath the rifted clouds - the invisible shared out in endless abundance.

I'll dig in into my days, having come here to live, not to visit. Grey is the price of neighboring with eagles, of knowing a mountain's vast presence, seen or unseen.

Looking, Walking, Being, I look and look. Looking's a way of being: one becomes, sometimes, a pair of eyes walking. Walking wherever looking takes one. The eyes dig and burrow into the world. They touch, fanfare, howl, madrigal, clamor. World and the past of it, not only visible present, solid and shadow that looks at one looking. And language? Rhythms of echo and interruption? That's a way of breathing. breathing to sustain looking, walking and looking, through the world, in it.

I believe every space and comma is a living part of the poem and has its function, just as every muscle and pore of the body has its function. And the way the lines are broken is a functioning part essential to the life of the poem.

We must breathe time as fishes breathe water.