There's in my mind a... turbulent moon-ridden girl or old woman, or both, dressed in opals and rags, feathers and torn taffeta, who knows strange songs but she is not kind.

A poet articulating the dreads and horrors of our time is necessary in order to make readers understand what is happening, really understand it, not just know about it but feel it: and should be accompanied by a willingness on the part of those who write it to take additional action towards stopping the great miseries which they record.

I thought I was growing wings— it was a cocoon. I thought, now is the time to step into the fire— it was deep water. Eschatology is a word I learned as a child: the study of Last Things; facing my mirror—no longer young, the news—always of death, the dogs—rising from sleep and clamoring and howling, howling.... ("Seeing For a Moment")

I like to find what's not found at once, but lies within something of another nature, in repose, distinct.

Yes, he is here in this open field, in sunlight, among the few young trees set out to modify the bare facts-- he's here, but only because we are here. When we go, he goes with us to be your hands that never do violence, your eyes that wonder, your lives that daily praise life by living it, by laughter. He is never alone here, never cold in the field of graves.

There comes a time when only anger is love.

Both art and faith are dependent on imagination; both are ventures into the unknown.