Of course, when you work with actors and when you work on a script everything that you know about the human experience can't possibly go in.

Making a film transforms your relationship to the world. And there's some sort of natural authority that builds up along the way.

There was something, which was the turning point: I felt very strongly that women were sexualized, and perceived like they are sexual in every move, and it started off really early.

The foreign-language Oscar is something that doesn't go to the producer or the director; it goes to the country.

I didn't want to do casting in a way that you find yourself in a situation where there's this perfect girl for a part and you just can't cast her because the family says no.

Men, not only in Turkish society but everywhere, have been the bosses in terms of creation. If you look at art history, women were the objects. The fact that it's not been made by women means that the subjects are not women.

When you make a film, you come to say something.