I love emotion. I love being in love. And showing that on screen. I think it's wonderful.

I definitely wanted to pay homage to what he did and use his performance in the first one as a foundation. But, I had to make it my own. I couldn't sit there and try to imitate Michael Clarke Duncan. I think that would have been disastrous. I had to make it my own. I tried to take as many nuances that he had with the character and utilize them as best I could, while creating a character that was unique to me. That's going to happen, no matter what.

All of the directors I work with have their own unique gifts. My particular segment deals with online dating. It's a very interesting take on it, and a great observation of what goes on there.

Actually, I think you're more stymied playing the good guy than you are the bad guy. As the bad guy, you have no inhibitions. Nothing stops you from doing what it is you feel you have to do. You do it because it's what's required. I have to protect my goddess, as best as I can.

It's the chauffeur's outfit from hell, right down to the alligator shoes. I was wearing these alligator shoes and this very interesting and haunting chauffeur's outfit, but what really did it for me was the hat. And then, when I eventually get my eye taken out, the gold eye really brought it home for me.

Being on set and seeing all that green screen, and how it activated my imagination, was amazing to me. I fell into that world very easily, and it was incredible to be a part of.

I took to it very quickly. I'm very imaginative anyway, and it just set off that part of my brain. It made me focus in on the actors a lot more. I didn't have the distraction of looking at my surroundings.