No matter what you set out to do and how you set out to do it, you ultimately have to be who you are, and who you are as that character. So, I paid as much homage as I could to what Michael Clarke did, and had to rely on my own gifts to guide me through it.

I played a little basketball, but basketball interfered with theater season. That's when we did our term plays and did nutshell versions of Shakespeare for English classes. And, believe me, I got a fair amount of looks from the guys on the team. 'You're in theater but you can play football?'

All of the directors I work with have their own unique gifts. My particular segment deals with online dating. It's a very interesting take on it, and a great observation of what goes on there.

As far as I'm concerned, I'm the good guy. I'm doing my job. That's how I look at it. I don't look at it as good or evil. I look at it and say, "I have a job to do. I love this woman. I love the people that I work with. They take care of me. I'm going to do whatever I can for them."

There's part of it when Manute has both eyes. And the character was actually fleshed out a lot more, in this movie. I got to show people who Manute is and why he is and how devout he is. He is Ava's protector and punisher.

I've studied theater since high school. Of course, it's a different story altogether being on Broadway, but it's still theater, and you have to be in front of a live audience, and that's very exciting. It's something I've definitely wanted to do, but I got involved in movies and television, and then it became a luxury to get back on the stage.

It's the chauffeur's outfit from hell, right down to the alligator shoes. I was wearing these alligator shoes and this very interesting and haunting chauffeur's outfit, but what really did it for me was the hat. And then, when I eventually get my eye taken out, the gold eye really brought it home for me.