Photography and painting, all of that fed into my directing eventually.

As an actor, you have no control really.

Well, it's not just money. I consider myself establishment right now. I'm borderline establishment, I'm hanging on by my toenails - but I'm establishment.

I think of [my photographs] as found paintings because I don't crop them, I don't manipulate them or anything. So they're like found objects to me.

I was someone who was out of control and not to be worked with. It was partly because method acting was a new thing in Hollywood then and Marlon Brando had gotten through and Montgomery Clift had gotten through and James Dean but beyond that there wasn't really anybody.

My whole written history is one big lie! I mean, I can't even believe my history.

I went back to photography in the 1990s. But from the 60s to the 90s I didn't really take any photographs at all, unfortunately. During that period I lived in France, I lived in England, I lived all over the place in different cities. I didn't take any photographs and because I felt I had really accomplished everything that I wanted to in photography during the period between 61 and 67.