... I'm sort of a nervous person with the camera, so I will just shoot arbitrarily until I can focus and compose something, and then I make a shot. So generally, in [the] proof sheets, there are only three or four really concentrated efforts to take a photograph. It's not like a professional kind of person who sets it up so every photograph looks really cool.

You know, this is such a rich time that we've just been involved in, and there's really a job now for historians. Film is still very young. This is the first hundred years of filmmaking. So I think it's important that we have some sense of history and continuity. Especially in film.

You know, the history of California art doesn't start until about 1961, and that's when these photographs start. I mean, we have no history out here.

In Method acting, you can't have preconceived ideas. You have to live in the moment. You have to keep yourself open.

Just because it happened to you, doesn't mean it's interesting.

Jimmy [Dean] was the most talented and original actor I ever saw work. He was also a guerrilla artist who attacked all restrictions on his sensibility. Once he pulled a switchblade and threatened to murder his director. I imitated his style in art and in life. It got me in a lot of trouble.

You want to hear about insanity? I was found running naked through the jungles in Mexico. At the Mexico City airport, I decided I was in the middle of a movie and walked out on the wing on takeoff. My body... my liver... okay, my brain... went.