People keep asking me, 'What evil lurks in you to play such bad characters?' There is no evil in me, I just wear tight underwear.

You know, this is such a rich time that we've just been involved in, and there's really a job now for historians. Film is still very young. This is the first hundred years of filmmaking. So I think it's important that we have some sense of history and continuity. Especially in film.

... I'm sort of a nervous person with the camera, so I will just shoot arbitrarily until I can focus and compose something, and then I make a shot. So generally, in [the] proof sheets, there are only three or four really concentrated efforts to take a photograph. It's not like a professional kind of person who sets it up so every photograph looks really cool.

The inside of the Pentagon is an incredible place and a dramatic set. We do [travel] outside, but the inside workings of the civilian oversight of the military inside the Pentagon is really about as exciting as anything you ever want to deal with. It is really amazing.

I was reading a lot of Thomas Jefferson at the time, and Jefferson said that every 20 years, if one party has stayed in power, it's your obligation as an American to vote the other party in.

My whole written history is one big lie! I mean, I can't even believe my history.

[After Easy Rider] I couldn't get another movie, so I lived in Mexico City for a couple of years. I lived in Paris for a couple of years. I didn't take any photographs, and then I went to Japan and saw a Nikon used. I bought it, and I just started, like an alcoholic. I shot 300 rolls of film. That was the beginning of me starting again.