[After Easy Rider] I couldn't get another movie, so I lived in Mexico City for a couple of years. I lived in Paris for a couple of years. I didn't take any photographs, and then I went to Japan and saw a Nikon used. I bought it, and I just started, like an alcoholic. I shot 300 rolls of film. That was the beginning of me starting again.

I went back to photography in the 1990s. But from the 60s to the 90s I didn't really take any photographs at all, unfortunately. During that period I lived in France, I lived in England, I lived all over the place in different cities. I didn't take any photographs and because I felt I had really accomplished everything that I wanted to in photography during the period between 61 and 67.

I was someone who was out of control and not to be worked with. It was partly because method acting was a new thing in Hollywood then and Marlon Brando had gotten through and Montgomery Clift had gotten through and James Dean but beyond that there wasn't really anybody.

When I was about 14. I saw my first mountain. I saw the ocean for the first time. I remember thinking that that ocean looked very similar to our wheat fields. I didn't know what I thought I would see when I looked out at the ocean, but I thought I'd see something different.

The inside of the Pentagon is an incredible place and a dramatic set. We do [travel] outside, but the inside workings of the civilian oversight of the military inside the Pentagon is really about as exciting as anything you ever want to deal with. It is really amazing.

I am just a middle-class farm boy from Dodge City and my grandparents were wheat farmers. I thought painting, acting, directing and photography were all part of being an artist. I have made my money that way. And I have had some fun. It's not been a bad life.

Easy Rider' was never a motorcycle movie to me. A lot of it was about politically what was going on in the country.