Jimmy [Dean] was the most talented and original actor I ever saw work. He was also a guerrilla artist who attacked all restrictions on his sensibility. Once he pulled a switchblade and threatened to murder his director. I imitated his style in art and in life. It got me in a lot of trouble.

Well, it's not just money. I consider myself establishment right now. I'm borderline establishment, I'm hanging on by my toenails - but I'm establishment.

I've been sober now for 18 years. With all the drugs, psychedelics and narcotics I did, I was [really] an alcoholic. Honestly, I only used to do cocaine so I could sober up and drink more. My last five years of drinking was a nightmare. I was drinking a half-gallon of rum with a fifth of rum on the side, in case I ran out, 28 beers a day, and three grams of cocaine just to keep me moving around. And I thought I was doing fine because I wasn't crawling around drunk on the floor.

Art is a bad word in Hollywood. You use art too many times and they show you the elevator and then your name is taken off the parking lot.

The reality of things going on around me is more interesting than the fantasies of the world I work in.

I was someone who was out of control and not to be worked with. It was partly because method acting was a new thing in Hollywood then and Marlon Brando had gotten through and Montgomery Clift had gotten through and James Dean but beyond that there wasn't really anybody.

I made a picture called Super Mario Bros., and my six-year-old son at the time - he's now 18 - he said, 'Dad I think you're probably a pretty good actor, but why did you play that terrible guy King Koopa in Super Mario Bros?' And I said, 'Well Henry, I did that so you could have shoes,' and he said, 'Dad, I don't need shoes that badly.'