And I also trust that there's more than one way to do something.

And I also trust that there's more than one way to do something.

It's harder for me to work on a Forrest Gump kind of movie, where everything is invisible.

You know you can usually solve almost any problem, or you'll realize you can't, but usually you can solve almost any problem through some sort of trickery one way or another and get the shot to work, but you know when to give up.

Because you're telling a story, and I'm sure people fifty years ago would tell the same story differently if they were telling it to you today. Because the time is different. The film is the work of today's audience.

Everyone is trying to do something that hasn't been done and that's a really good thing. You can only do so much with a story and some scripts don't give you the opportunities and other scripts do give you the opportunities to do things that haven't been done before.

I've done enough of this that I can tell early on if it's going in the wrong direction or not.