Well, there's two things I have criteria for doing a film: The script, which is the story, and the filmmaker, and it's a filmmaker's medium. I like really strong directors, and so when I do a film, I'm out there to serve the director, really, which is in turn to serve the script, to serve the director cause he's the one making the film. I relied on Todd Haynes for that.

I spent a weekend in the White House with President Clinton, back in '99, I guess. We played golf and just hung out and talked on many subjects. I saw him several times subsequently in L.A. He's the smartest man I ever met, a great politician. Everybody was star struck around him.

There's no way that I could do a 9 to 5 job. There's no way. I was not cut out for that. You come in and you work for three months on the one job. They say, 'Great,' you know, and you're on to the next one - and you never even got fired. It's wonderful.

I didn't play football in school, but I've been a fan of football all my life. I have a fair understanding of it. Doing movies about it really helps because you know what makes them work and what doesn't.

My interpretation of a strong director is someone who knows their story. That's what directors are, they're storytellers because they're directing where your focus is going to be as an audience.

Horseracing and ranch horses are two different animals. You're getting race horses out and running and running them. It can be really problematic. A thoroughbred's very delicate.

Before I was an actor, I was never able to hold a job for more than 3 months for some reason. It just wouldn't hold my interest, so there was some way that I wound up quitting or getting fired from it. But being an actor is perfect, because movies usually take about three months to shoot. Then it's over and they say, 'Hey, great job!'