As I grow older, I put all life's bulls**t aside. I think the process of the laying off of the bulls**t starts around 40. Before that, most men have their heads stuck in their ass. After 40, you see things differently. You've found yourself. You're accepting yourself and what you got from life.

I was a guy back in the Eighties who was one movie away from a huge career, which at that time didn't happen. In the Nineties, I worked a lot, but it was kind of, 'Get out there and dig and find things.' Then I guess 'The Rookie' and 'Far From Heaven' were referred to as my comeback.

There's no way that I could do a 9 to 5 job. There's no way. I was not cut out for that. You come in and you work for three months on the one job. They say, 'Great,' you know, and you're on to the next one - and you never even got fired. It's wonderful.

I have a ranch in Montana, but it's not a real working ranch. I've always liked the outdoors. I come from Texas. My grandfather was a farmer; that's as close as I come.

I would like my kids to follow their bliss.

I grew up in Houston, and I remember we had separate drinking fountains, and black people sat in the balcony of the theater... We had an African-American housekeeper growing up who was really like my second mother. I thought it was silly - hatred just because of the color of somebody's skin.

Well, there's two things I have criteria for doing a film: The script, which is the story, and the filmmaker, and it's a filmmaker's medium. I like really strong directors, and so when I do a film, I'm out there to serve the director, really, which is in turn to serve the script, to serve the director cause he's the one making the film. I relied on Todd Haynes for that.