Playing music is not really susceptible to theory much. Circumstances affect it so much.

I'm not much into current electronic stuff, what I think of as lounge electronics, mumbling electronics.

I wouldn't want to be ideological about it but I think of it as being the best way to approach this kind of playing. I don't think it works in other music, other kinds of playing.

In fact its quite gratifying for me to see some of the people who really objected to this method of working now being quite so profligate in their use of it.

Personally, I've found one of the more stimulating ways of playing in recent times has been to kind of move outside the free improvised area and work with people who are probably improvisers but they have a particular way of working.

For me, Company is still the best way for me to work.

Solo concerts are murder, I find; I don't like doing them.