But that methodology where players are pitted against other unfamiliar players has been so widely adapted now that anybody plays with everybody.

But that methodology where players are pitted against other unfamiliar players has been so widely adapted now that anybody plays with everybody.

I'm not much into current electronic stuff, what I think of as lounge electronics, mumbling electronics.

I have always been attracted to the cottage industry side of this business.

For me, Company is still the best way for me to work.

I wouldn't want to be ideological about it but I think of it as being the best way to approach this kind of playing. I don't think it works in other music, other kinds of playing.

Charlie Appleyard can be anybody; but Ive used him sometimes in chat pieces, and these are all chat pieces about the history of Charlie Appleyard.