But that methodology where players are pitted against other unfamiliar players has been so widely adapted now that anybody plays with everybody.

Charlie Appleyard can be anybody; but Ive used him sometimes in chat pieces, and these are all chat pieces about the history of Charlie Appleyard.

Free improvisation, in addition to being a highly skilled musical craft, is open to use by almost anyone - beginners, children, and non-musicians.

Nowadays, I really like playing in studios.

If you could only play a record once, imagine the intensity you’d have to bring into the listening.

I'm not much into current electronic stuff, what I think of as lounge electronics, mumbling electronics.

But that methodology where players are pitted against other unfamiliar players has been so widely adapted now that anybody plays with everybody.