They were totally supportive, always saw everything I did. One of the thrills of my life was when they went to the theater to see something that I wasn't in. It opened doors for them that otherwise would have been totally closed.

I think actors always retain one foot in the cradle. We're switched on to our youth, to our childhood. We have to be because we're in the business of transferring emotions to other people.

It was doing very well; it was doing particularly well outside of England. It was a very big seller for Carlton Television. But it was getting more and more expensive to do.

It's often difficult to slough off all that we've acquired, all the comforts and safety nets modern life provides for us, and realize that in those days, people were living very much on the edge - life was incredibly hard!

Real-life people are often the hardest to play, people that you recreate who have actually lived, because you have to live up to people's knowledge of those characters.

I think that each character has fascinated and interested me enough to want to play him.

You have to get through the Hamlet hoop as a young actor. Your classical qualifications are based on the quality of your Hamlet. And then, as an older actor, you have to get through the Lear hoop. And I'm approaching the Lear hoop.