All of Victorian verse is pentameter.
A culture, we all know, is made by its cities.
I read; I travel; I become
The first thing we have to do is get rid of the pentameter. To ditch the pentameter.
When poems are no good they don't make any sense.
The personal vocabulary, the individual melody whose metre is one's biography, joins in that sound, with any luck, and the body moves like a walking, a waking island.