I look in the mirror. There's me. What's in the mirror is not real. So am I unreal?
The personal vocabulary, the individual melody whose metre is one's biography, joins in that sound, with any luck, and the body moves like a walking, a waking island.
We read, we travel, we become.
The poem is itself a mirror.
I too saw the wooden horse blocking the stars.
The sigh of History rises over ruins, not over landscapes, and in the Antilles there are few ruins to sigh over, apart from the ruins of sugar estates and abandoned forts.