perhaps there is something more than courtesy behind the dissembling reticence of childhood. ... Most artists dislike having their incomplete work considered and discussed and this analogy, I think, is valid. The child is incomplete, too, and is constantly experimenting as he seeks his own style of thought and feeling.

Is this something else our age does - on the one hand make communication easier than ever before, while on the other hand widening the gulf between those who are 'developed' and those who are not?

perhaps there is something more than courtesy behind the dissembling reticence of childhood. ... Most artists dislike having their incomplete work considered and discussed and this analogy, I think, is valid. The child is incomplete, too, and is constantly experimenting as he seeks his own style of thought and feeling.

one feels guilty on behalf of Western civilisation. What damage are we doing, blindly and swiftly, to those races who are being taught that because we are materially richer we must be emulated without question? What compels us to infect everyone else with our own sick urgency to change, soften and standardise? How can we have the effrontery to lord it over peoples who retain what we have lost - a sane awareness that what matters most is immeasurable?

[On Addis Ababa:] Among the city's handicaps are an immaturity for which no one can be blamed, as it was founded only eighty years ago, and a proliferation of architectural excesses for which many people can and should be blamed.

Whatever the theologians might say about heaven being in a state of union with God, I knew it consisted of an infinite library; and eternity was simply what enabled one to read uninterruptedly for ever.

The Irish have a flair for wringing from death the last drop of emotion and they do not quite understand those who react otherwise.