I came home one day from school after being chased by kids singing “Yellow Submarine”, and I didn't understand why. It just seemed surreal: why are they singing that song to me? I came home and I freaked out on my dad: 'Why didn't you tell me you were in The Beatles?' And he said, 'Oh, sorry. Probably should have told you that.'

People see my face, they hear my voice, and I know they're thinking about my father. That's OK - he was a great man.

I could never just play in a pub in front of four people because I would have had all the press turn up. That way, you don't get to build up naturally. It makes the work feel unnatural, and puts a lot of unnatural pressure on you.

One interviewer asked me: 'How do you feel that you've betrayed your father?' That wasn't really very cool.

I was recording stuff with my dad when I was like five, six years old. I played with him on tour. I'd gone with him to Japan in '91, played some gigs, did a couple shows at the Albert Hall.

Live a Lie' is inspired by recent combinations found in dubstep.

Thenewno2 is sort of my little prototype band, really.