Playing music has always felt very natural. You know, you do try to do other things, and you do learn lessons that way, but, eventually - well... if your dad is a plumber, you become a plumber. It's the family business, and I felt like I was taking over the family business.

I'm a huge Wu-Tang fan.

I was recording stuff with my dad when I was like five, six years old. I played with him on tour. I'd gone with him to Japan in '91, played some gigs, did a couple shows at the Albert Hall.

Live a Lie' is inspired by recent combinations found in dubstep.

I could never just play in a pub in front of four people because I would have had all the press turn up. That way, you don't get to build up naturally. It makes the work feel unnatural, and puts a lot of unnatural pressure on you.

It's funny, because music is one of those things it is natural to go into. You hear it so much growing up, it kind of permeates you and eventually you spew out some music of your own.

Once I started to get older, my father would say, 'You look more like George Harrison than I do'