So I'm not worried about the emotions I carry with me, because I'm happy that I have them; I think it's good for the work I do. The emotions that are not healthy are the ones you hold inside, like anger.

Instead of looking at the past, I put myself ahead twenty years and try to look at what I need to do now in order to get there then.

I just appreciate still having the longevity that I've had in my career.

All of a sudden I feel more womanly, I feel like I got a figure. I was always really straight up and down, the skinny one in the middle, like that poster at Elaine's of the Supremes at Lincoln Center - it was done by Joe Eula. To me that's really a reflection of the way I was. I was just like a bean pole. Now I'm getting a few curves and I like it.

I'm a parent, and I try to take care of my health and keep my life in order. In the last few years I've really had to decide what's important to me, and it seems to me that my family and my health are top on the list. And those have nothing to do with show business.

I'd traveled a lot, was going temporarily insane and became very successful, but there was no one to take that all home to.

The only recording studio was in Motown - it was called Tamla/Motown at that time and we used to audition there because Smokey Robinson was at that studio and Berry Gordy was the president. I remember asking Smokey to listen to my group and he did. For the first couple of years we were just singing background. We used to back up Marvin Gaye; Mary Wells was there then, Marv Johnson, the Marvelettes, Martha Reeves and the Vandellas, Junior Walker and the All-Stars.