You see someone on the street, and essentially what you notice about them is the flaw.

I mean, if you've ever spoken to someone with two heads, you know they know something you don't.

Nothing is ever the same as they said it was.

The condition of photographing is maybe the condition of being on the brink of conversion to anything.

I work from awkwardness. By that I mean I don't like to arrange things. If I stand in front of something, instead of arranging it, I arrange myself.

Take pictures of what you fear.

I mean, it's very subtle and a little embarrassing to me, but I really believe there are things which nobody would see unless I photographed them.