Nothing is ever the same as they said it was.

I mean, if you've ever spoken to someone with two heads, you know they know something you don't.

I think all families are creepy in a way.

I think it does, a little, hurt to be photographed.

The camera is a kind of license.

We stand on a precipice, then before a chasm, and as we wait it becomes higher, wider, deeper, but I am crazy enough to think it doesn't matter which way we leap because when we leap we will have learned to fly. Is that blasphemy or faith?

What moves me about...what's called technique...is that it comes from some mysterious deep place. I mean it can have something to do with the paper and the developer and all that stuff, but it comes mostly from some very deep choices somebody has made that take a long time and keep haunting them.