Realization that i couldn't be a ballet dancer was a blessing in disguise because that was the first time I felt like I stepped into adulthood. I realized, Okay, this is not going to work out. It was frustrating for about a year because I didn't know what to do with the creativity and the discipline that dancing had instilled in me from a very young age. But then I moved to Paris to model, and that was my cultural awakening. Now, I think dancing has been the biggest thing in my life, much more so than modeling, and it still helps me enormously in my work.

Looking back at it now, I really feel like it was a gift because I don’t know if I have the talent to become a prima ballerina. It’s such a hard job to have. I don’t have any regrets about it.

I don't have to work just to work anymore. More interesting parts come my way, so I can afford to say, 'I don't want to make that.'

I only dance when I go out.

I made a French film called "Merry Christmas" which is a very European film. It's a World War I piece.

I'm intrigued more and more by complex female characters because I'm more in touch with myself. I realize how screwed up or complex I am. And I'm flattered that, little by little, more and more directors want to meet me.

I come from a very small rural village in northern Germany, and being an actor never even seemed like a possibility. I thought you would have to live in a big city, or be discovered somewhere, or be born into an artistic family, which I certainly wasn't.