Looking back at it now, I really feel like it was a gift because I don’t know if I have the talent to become a prima ballerina. It’s such a hard job to have. I don’t have any regrets about it.

I'm intrigued more and more by complex female characters because I'm more in touch with myself. I realize how screwed up or complex I am. And I'm flattered that, little by little, more and more directors want to meet me.

I am a better person when I let myself have the time for romance and for love.

I realized through my personal travels how little I know about certain conflicts, because I was too vain or self-absorbed to ask the questions. That's been the focus while I'm in my thirties - to become an accomplished woman, rather than some actress.

I'm not a very good impersonator, my friends maybe, but not famous people.

What I really tried to do with Helen was make her show this sad side of her. She was married off at 16, was so young and living in this castle that can't leave because of how she looks, and married to a man she hates and three times her age.

What you wear is such an expression of who you are. That's like someone picking out who I'm going to date!